Two Masterpieces of Kutiyattam

Two Masterpieces of  Kutiyattam
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Mantrankam and Anguliyankam
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Artikel-Nr:
9780190990015
Veröffentl:
2019
Einband:
EPUB
Seiten:
348
Autor:
Heike Oberlin
eBook Typ:
EPUB
eBook Format:
EPUB
Kopierschutz:
Adobe DRM [Hard-DRM]
Sprache:
Englisch
Beschreibung:

Kutiyattam, India's only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on MantrA a kam and Aa gulA yA a kam, the two great masterpieces of KA a iyA a a am. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active KA a iyA a a am performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers interested in South Indian culture, religion, theatre and performance studies, philology as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala.
Kutiyattam, India's only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on MantrA a kam and Aa gulA yA a kam, the two great masterpieces of KA a iyA a a am. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active KA a iyA a a am performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers interested in South Indian culture, religion, theatre and performance studies, philology as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala.

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