The Bayeux Tapestry

Carola Hicks was an acclaimed art historian, and witty, perceptive writer. Born in Sussex, Carola studied archaeology at Edinburgh University, and was an actress, journalist and House of Commons Researcher, before taking up an academic career. For several years she was curator of the Stained Glass Museum at Ely Cathedral, and then became a Fellow and Director of Studies in art history at Newnham College, Cambridge. Her books include Animals in Early Medieval Art, Improper Pursuits: The Scandalous Life of Lady Di Beauclerk, and two fine 'biographies' of works of art: The Girl in the Green Gown: The History and Mystery of the Arnolfini Portrait and The King's Glass: A Story of Tudor Power and Secret Art. Carola Hicks died in 2010.

One of Europe's greatest artistic treasures, the Bayeux Tapestry depicts the events leading up to the Battle of Hastings in 1066. For all its fame, its origins and story are complex and somewhat cloudy. Though many assume it was commissioned by Bishop Odo--William's ruthless half-brother--it may also have been financed by Harold's dynamic sister Edith, who was juggling for a place in the new court. In this intriguing study, medieval art historian Carola Hicks investigates the miracle of the tapestry's making--including the unique stitches, dyes, and strange details in the margins--as well as its complicated past. For centuries it lay ignored in Bayeux cathedral until its discovery in the 18th century. It quickly became a symbol of power: townsfolk saved it during the French Revolution, Napoleon displayed it to promote his own conquest, and the Nazis strove to make it their own. Packed with thrilling stories, this history shows how every great work of art has a life of its own.

The story of the Bayeux Tapestry - its origins and making, but also its long and dramatic afterlife, from 1066 to Napoleon, Nazi raids and modern adverts.