Tomb of Sand

WINNER OF THE 2022 INTERNATIONAL BOOKER PRIZEA playful, feminist, and utterly original epic set in contemporary northern India, about a family and the inimitable octogenarian matriarch at its heart.A tale tells itself. It can be complete, but also incomplete, the way all tales are. This particular tale has a border and women who come and go as they please. Once youve got women and a border, a story can write itself . . .Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her familys cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Mas every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sids younger brotherSerious Son, a young man pathologically incapable of laughingbrings his grandmother a sparkling golden cane covered with butterflies that things begin to change.With a new lease on life thanks to the canes seemingly magical powers, Ma gets out of bed and embarks on a series of adventures that baffle even her unconventional feminist daughter, Beti. She ditches her cumbersome saris, develops a close friendship with a hijra, and sets off on a fateful journey that will turn the familys understanding of themselves upside down.Rich with fantastical elements, folklore, and exuberant wordplay, Geetanjali Shrees magnificent novel explores timely and timeless topics, including Buddhism, global warming, feminism, Partition, gender binary, transcending borders, and the profound joys of life. Elegant, heartbreaking, and funny, it is a literary masterpiece that marks the American debut of an extraordinary writer.Translated from the Hindi by Daisy RockwellAuthors name pronounced: Ghee-TAHN-juh-lee Shree

WINNER OF THE 2022 INTERNATIONAL BOOKER PRIZEA playful, feminist, and utterly original epic set in contemporary northern India, about a family and the inimitable octogenarian matriarch at its heart.A tale tells itself. It can be complete, but also incomplete, the way all tales are. This particular tale has a border and women who come and go as they please. Once youve got women and a border, a story can write itself . . .Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her familys cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Mas every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sids younger brotherSerious Son, a young man pathologically incapable of laughingbrings his grandmother a sparkling golden cane covered with butterflies that things begin to change.With a new lease on life thanks to the canes seemingly magical powers, Ma gets out of bed and embarks on a series of adventures that baffle even her unconventional feminist daughter, Beti. She ditches her cumbersome saris, develops a close friendship with a hijra, and sets off on a fateful journey that will turn the familys understanding of themselves upside down.Rich with fantastical elements, folklore, and exuberant wordplay, Geetanjali Shrees magnificent novel explores timely and timeless topics, including Buddhism, global warming, feminism, Partition, gender binary, transcending borders, and the profound joys of life. Elegant, heartbreaking, and funny, it is a literary masterpiece that marks the American debut of an extraordinary writer.Translated from the Hindi by Daisy RockwellAuthors name pronounced: Ghee-TAHN-juh-lee Shree