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Cinema I
Artikel-Nr:
9781472508300
Veröffentl:
2013
Erscheinungsdatum:
24.10.2013
Seiten:
278
Autor:
Gilles Deleuze
Gewicht:
392 g
Format:
216x136x22 mm
Serie:
Bloomsbury Revelations
Sprache:
Englisch
Beschreibung:
Gilles Deleuze was Professor of Philosophy at the University of Paris VIII.
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, well known for his works on the philosophy of art and for his master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus.Cinema I is the first volume of Deleuze's revolutionary work on the theory of cinema (concluded in Cinema II, also available in the Bloomsbury Revelations series). Drawing on the philosophy of Henri Bergson, Deleuze identified his work as "a logic of the cinema", setting out to "isolate certain cinematographic concepts" philosophically. To do this, he brings together diverse examples from a variety of major filmmakers, including Ingmar Bergman, Charlie Chaplin, Sergei Eisenstein and Alfred Hitchcock, among many others.
The first volume of Gilles Deleuze's landmark philosophical study of the art of film, now available in the Bloomsbury Revelations series.
Includes philosophical analyses of the works of such film-makers as Eisenstein, Chaplin and Hitchcock.
Preface to the English edition Translators' Introduction Preface to the French Edition 1. Theses on Movement: First Commentary onBergson 2. Frame and Short, Framing and Cutting 3. Montage 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson 5. ThePerception-Image 6. The Affection-Image Face and Close-Up 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers 8. From Affect toAction: The Impulse Image 9. The Action-Image: The Large Form 10. The Action-Image:The Small Form 11. Figures, or the Transformation of Forms 12. The Crisisof the Action-Image Glossary Notes Index.