67,50 €*
Since finishing his MA in 2008, Ben Mitchell has worked as an animation freelancer with Channel 4, BBC, A Productions, Plymptoons, Rumpus Animation, Slurpy Studios, Happy Hour Productions, Somethin' Else, Jelly Penguin, Channel Flip, and others. As an independent filmmaker he has directed several shorts that have been officially selected for over 100 major film and animation festivals between them and been broadcast internationally. He is also a writer, researcher, and Managing Director of Skwigly Online Animation Magazine, where he has conducted interviews with some of the animation industry's leading practitioners and produced editorial features, events coverage, film/product reviews, project management, video content and the Skwigly Animation Podcast.
With the advent of advanced hand-held technology and the widespread nature of the internet, the world of animated filmmaking is more exciting and accessible than ever. Due to this cultural and technological development, the success of independent animated film makers is on the rise. Independent Animation showcases some of the greatest, most innovated giants in the field and helps guide readers through the artistic process and production techniques. Story development, casting, color, distribution, and the intimidating aspects of production are elucidated using various examples from all over the world. Readers will also explore the changing nature of the audiences' relationship with animation, granting firsthand guidance in navigating the diverse fields of animated film-making.
Key Features
With the advent of advanced hand-held technology and the widespread nature of the internet, the world of animated filmmaking is more exciting and accessible than ever. Due to this cultural and technological development, the success of independent animated film makers is on the rise. Independent Animation showcases some of the greatest, most innovated giants in the field and helps guide readers through the artistic process and production techniques. Story development, casting, color, distribution, and the intimidating aspects of production are elucidated using various examples from all over the world. Readers will also explore the changing nature of the audiences' relationship with animation, granting firsthand guidance in navigating the diverse fields of animated film-making
1. Introduction
2. Story Development
3. The Visual Storyteller
4. Consider the Source
5. The Beat of a Different Drum
6. Going Webisodic
7. The Animated Documentarian
8. Going Long
9. Funding
10. Keeping It Real
11. Getting Comfortable
12. Casting and Performance
13. Thinking Outside the Light Box
14. Keeping Up
15. Combining Your Efforts
16. Your Film in Depth: Considering Stereoscopy
17. Audience Interaction
18. Reinventing the Wheel
19. Perseverance
20. Your Two Most Important Characters
21. Putting Yourself Out There
22. Distribution: A Brave New World